This HBO series initially aspired to fits of Twin Peaks-like whimsy, with each episode starting with a death more outlandish than the previous, but soon settled into a comfortable groove that harkened back to the most familiar of TV family dramas (in fact, it's almost a mirror image of '70s drama Family, down to the three sibling archetypes). Of course, its HBO roots allowed it ample leeway with sex, drug usage, profanity, and violence. While the writing strove to be a little too clever, the overall look and tone of the show remained solid and sometimes profound (sometimes absurd too, but usually with good reason). Krause and Hall, as initially warring brothers who come to a wary understanding, are solid anchors, but it's the women in the cast who do the most phenomenal work. Conroy infuses her almost stereotypical mom with an obstinate but ultimately accepting heart, and Ambrose's Claire is by far the show's most appealing character. And stealing scenes left and right is Rachel Griffith's Brenda, a mystery woman with an outlandish backstory who meets Nate on a plane, has sex with him at the airport, and infiltrates his life. Like Brenda herself, Six Feet Under is fascinating--and highly addictive. --Mark Englehart